View production, box office, & company info. Year: 1952. Still homeless and nearly penniless, Umberto scampers down the park lane with his dog. Want to share IMDb's rating on your own site? Carlo Battisti, despite having never acted before, is wonderful as the titular character; his face is a fascinating blend of stubborn dignity and weariness of life. While some scenes with Umberto and his dog Flike are sentimental, never is it "too" sentimental. (If you don't cry in this movie, you need to have your heart professionally de-thawed.) But "Umberto D" is never dumbed down into sappiness and clichéd corniness. Original title: Umberto D.. Synopsis: Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. Indeed, any movie about an old man and his faithful -- and amazingly well-trained -- dog is bound to come across as cute or cloying at certain points. Not Yet Rated 1 hr 31 min Nov 7th, 1952 Drama. Umberto D. is one of the enduring masterpieces of Italian neorealism, considered by many to be one of the greatest films ever made. One of the marchers is Umberto D. Ferrari, a retired government worker. Umberto D. (English Subtitled) (80) IMDb 8.2 1h 28min 1952 18+ This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make … An elderly man and his dog struggle to survive on his government pension in Rome. The language barrier has tragic consequences in a series of unrelated stories set during the Italian Campaign of WWII. Get unlimited DVD Movies & TV Shows delivered to your door with no … The gestures evoke powerful feelings without necessitating dialogue. Finally in desperation, Umberto takes the dog in his arms and walks on to a railway track as a speeding train approaches. [2], In an interview where he discussed Diary of a Country Priest, Psycho and Citizen Kane, Ingmar Bergman is quoted as saying, "Umberto D. is... a movie I have seen a hundred times, that I may love most of all. Keep track of everything you watch; tell your friends. (1952). Ratings, review and more on Cinafilm.com Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. An open hearted and unrelentingly energetic orphan struggles to make the best out of his life on the streets of Milan. An elderly man and his dog struggle to survive on his government pension in Rome. Consequently, Umberto D flopped at the box office and De Sica lost much of his personal investment. Umberto Domenico Ferrari, an elderly and retired civil servant, is desperately trying to maintain a decent standard of living on a rapidly dwindling state pension. Umberto's room has a gaping hole in the wall; the maid tells him it is to become part of an enlarged living room. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in their simplicity. Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. Umberto D. is a film of constant desolation, a stalwart example of Neorealist cinema, and a depressive film whose recommendation depends on the benefit of the emotions it successfully elicits. Umberto attempts to find a place for Flike, first with a couple who board dogs, then a little girl he knows, but the latter's nanny makes her give the dog back. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. She threatens to evict Ferrari at the end of the month if he cannot pay the overdue rent: fifteen thousand lire. A French remake entitled A Man and His Dog premiered in 2008. Alone except for his dog, Flike, Umberto (Carlo Battisti) struggles to... Read more . Was this review helpful to you? The film is full of these small gestures that quietly emphasize the desperate loneliness and poignancy of Umberto's situation.The acting in this film is absolutely superb. "[3], Roger Ebert included the film in his selection of Great Movies, writing "Vittorio De Sica's Umberto D (1952) is the story of the old man's struggle to keep from falling from poverty into shame. Umberto D. (1952) TMDb Score. Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship. It works very well because of its sharp observations on loneliness and poignant gestures. The landlady refuses to accept partial payment. Vittorio De Sica 's "Umberto D" (1952) is the story of the old man's struggle to keep from falling from poverty into shame. Nonetheless, the purity of expression is undeniable. It works very well because of its sharp observations on loneliness and poignant gestures. With Carlo Battisti, Maria Pia Casilio, Lina Gennari, Ileana Simova. Read reviews for the movie Umberto D.. New York Film Critics Circle Award for Best Foreign Film, New York Film Critics Circle Award for Best Foreign Language Film, Women on the Verge of a Nervous Breakdown, https://en.wikipedia.org/w/index.php?title=Umberto_D.&oldid=997939224, Films with screenplays by Cesare Zavattini, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Ileana Simova as the woman in Umberto's room, Memmo Carotenuto as a patient at the hospital, Alberto Albari Barbieri as Antonia's friend, Vittorio De Sica was nominated for the Grand Prix –, This page was last edited on 3 January 2021, at 00:02. DeSica knows how far he can push his film without making it sappy, and he wisely shows it as it is. Financial analysis of Umberto D (1952) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. He extends his palm up, but when a passer-by stops to give him money, Umberto quickly flips his hand over, as if testing for rain. Nothing feels forced. AKA: A sorompók lezárulnak. In the final scene of Umberto D., Vittorio De Sica portrays a concrete sense of the despair and depression that many Italian people faced during a time of hostilities between nations. Umberto D. (pronounced [umˈbɛrto di]) is a 1952 Italian neorealist film directed by Vittorio De Sica. De Sica’s Umberto D. is widely considered a masterwork of this principled movement, an elegant if bleak film that stands with Bergman’s Wild Strawberries as one of the great portraits of old age and loneliness ever brought to the screen. Title: He and his son set out to find it. This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy's postwar economic recovery. According to Robert Osborne of Turner Classic Movies, this was De Sica's favorite of all his films. Unable to bring himself to beg from strangers on the street, Umberto contemplates suicide, but knows he must first see that Flike is taken care of. Having recently been uprooted to Milan, Rocco and his four brothers each look for a new way in life when a prostitute comes between Rocco and his brother Simone. Particularly today, when most movies are devised and crafted only with the seemingly bottomless-pocketed 12-to-25 demographic in mind, a sensitive but scalding shower like Umberto D. (reputed to have been Ingmar Bergman's favorite film at one point) can seem like an act of rectitude, a furious call from the pulpit of pure humanism. The subject material itself and the simplicity in which it is presented will bring tears. Subsequently, they saw Umberto D. as too critical of the pride they were trying to engender in themselves. When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age Umberto D. - What to watch - best tv series to watch on Netflix, Amazon, HBO He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear."[4]. His parting advice to the maid is to get rid of the boyfriend from Florence. [1] The film's sets were designed by Virgilio Marchi. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear. Feeling ill, Umberto gets himself admitted to a hospital; it turns out to be tonsillitis, and he is discharged after a few days. Umberto D. (1952) Movie Reviews - Cinafilm has 254 reviews of Umberto D. from movie critics and film fans. 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